Elisa Gonzalez

Issue 47/48,
Winter 2022-2023

 Elisa Gonzalez 

Failed Essay on Oedipus Rex 

When I say Daddy 
almost— 
when I imitating 
a priestess I 
speak litany 
of near-deaths—sister bounces 
headfirst off 
the grand piano and 
brother’s neck stretches 
like a cartoon spring 
and his feet—wizardlike 
his feet up and up— 
as my mother’s 
skull flew into the wall 
as her teeth ducked deep 
into her mouth surprised red then flew
out like—like what 
when in these 
conditions every 
scrap of 
poetic language—like a gas flame 
quelled—like 
a punctured eardrum—fails 
us as the prosecutor’s did— 
his mouth said insufficient 
evidence of harm
— 
still I 
prosecute 
my words— 
when I imitating a child call
him Daddy 
—when family
grief floats 
in the blood—when grief’s 
a wheel 
steering pain 
into time—when there’s no 
time for 
irony’s shenanigans— 
when I have 
to say Daddy handed 
back ourselves 
to ourselves 
almost dead can you 
blame me for speaking 
in the tenor 
of Sophocles— 
when tragedy swings 
its red cloak 
and blocks the light and when it does—when
what good are eyes 
to me—when time 
scrapes—time when 
what failure the 
truth when 
there’s no help—but when the gods
the gods they 
do at last—when 
the gods they do at last 
go down—when 
Daddy’s dead in one 
bloody 
funny adaptation—